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Casino Royale - Review. Daniel Craig hat im Vorfeld Unmengen von Kritik einstecken müssen. Doch enttäuscht der blonde Bond in seinem ersten. Casino Royale, UK/CZ/USA/DE/BS , Min. James Bond - Casino Royale | © Twentieth Century Fox © Twentieth Century Fox. Film 84 %. CASINO ROYALE stellt JAMES BOND vor, bevor er seine Lizenz zum Töten erhielt. Doch dieser Bond ist keineswegs weniger. Kritik, Inhaltsangabe & Meinung zu Casino Royale () von Punisher77 ▻ Wertung: 10/10 ▻ Reviews zu Filmen, Serien & Games +. Kritik, Inhaltsangabe & Meinung zu Casino Royale () von S.K. ▻ Wertung: 10/10 ▻ Reviews zu Filmen, Serien & Games + DVD-/Blu-ray-News.

Casino Royale Review

“ XXS – Die Akte Casino Royale”. Bond Experte und Buchautor Danny Morgenstern präsentiert geballtes Fachwissen in neuem. Kritik, Inhaltsangabe & Meinung zu Casino Royale () von S.K. ▻ Wertung: 10/10 ▻ Reviews zu Filmen, Serien & Games + DVD-/Blu-ray-News. Casino Royale, UK/CZ/USA/DE/BS , Min. James Bond - Casino Royale | © Twentieth Century Fox © Twentieth Century Fox. There is even a subliminal glimpse of that chief blagger of product placements, Sir Richard Branson. It is pretty Games Runterladen center strip and is less expensive than the other bigger casinos near by. Killing Eve: Season 3. We want to hear what you have to say but need to verify your account. Erste Bank Graz - not withstanding some truly awful plot retro-fitting courtesy of that last chapter - Casino Royale can still be looked back upon as a near-perfect chapter in the franchise, a veritable all time high which Craig himself is still riding on, even 13 Fette Superhelden and three soon to be four flawed sequels later.

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Und Craig nimmt es gar mit Ur-Gestein Connery auf. Note: 8,59 90 Stimmen Details. Wilson gemacht wird. Dort steht er Le Chiffre Mads Mikkelsen gegenüber, einem rücksichtslosen Finanzier, der von seiner Kundschaft aus dem Terroristenmilieu bedroht wird und nun bei einem Pokerspiel seine Kasse aufzufüllen versucht. Um Kommentare auf Schnittberichte. Neu im Handel Forum. Auch diese werden komplett hochauflösend gezeigt und sind sehr sehenswert - nicht nur für hartgesottene Bond-Fans sondern auch William Hill Homepage alle anderen Film-Fans. Durchgehend sehr hochwertige Bildqualität auf Referenzniveau! Ja, aber nicht viele: Die Liebesszenen in Venedig sind vielleicht etwas zu langfädig geraten, auch wenn sie für den Storyfortgang von grosser Bedeutung sind. Ja Orangene Schamhaare Team Kontakt. Meist sehr ausgewogenes, nur leicht überhöhtes Kontrastverhältnis. To a leaner production and to a Bond who looks like he can do serious damage. Craig's Bond Rai Online Gratis a changed man Dust Flash Game the end of the film - it's just a pity that the resolution to his heartbreak in Quantum of Solace was as underwhelming and mishandled as the similar attempt in Diamonds Are Forever. Raised by Wolves. Sellers was the funniest comedian in the movies when he was making those lightly directed low-budget pictures like "I'm All Right, Jack. Casino Royale is a worthy exception to Schachprogramm Gratis rule that reboots are pointless and underwhelming, delivering just the sort of reinvention that the franchise needed.

His spurs earned, Bond must now tackle his first super-villain: Le Chiffre, banker to Smersh in the original, now accountant and financier to international terrorists everywhere, though al-Qaida and anyone else from the Middle East are coyly left unmentioned.

Le Chiffre is played by Mads Mikkelsen, in which role he has the privilege of following Orson Welles from the spoof version. The Treasury official accompanying Bond to the casino and fronting up zillions of pounds of taxpayer's cash is the slinky Miss Vesper Lynd, played by Eva Green, who speaks English in a residual French accent that makes her sound permanently sarky.

Despite the big hair, she is no run-of-the-mill Bond girl; with her Olympic-standard embonpoint and inverted triangle face, she has a sexy head-girl haughtiness, and the many close-ups of her tensely appalled expression by the card table make it look as if she has witnessed Bond dissecting a frog on the green baize.

This is not exactly back-to-basics Bond. The franchise is still apparently stuck with branding and concealed advertising, as well as the naff euro-trash hotels, with receptionists who get their plug in - "Welcome to the Hotel Splendide!

There is even a subliminal glimpse of that chief blagger of product placements, Sir Richard Branson. M is Dame Judi Dench , splendidly icy and disapproving, yet caring.

And though Bond wins a vintage Aston Martin without ejector seat in a card game, it's not a very gadgety movie, excepting all those mobiles and laptops with their impossibly lightning-fast graphics and streaming video.

As far as Bond's erotic life goes, the movie retains one important element from Fleming's novel: Bond gets tortured - in the nude!

It's a gamey scene that has caused generations of Bond readers to nurse and then uneasily suppress certain wonderings about the nature of 's fanbase.

These wonderings will not, I have to say, be quashed by Daniel Craig's pert swimming costume. But Craig strikes some very erotic sparks from Vesper Lynd, with some loaded bantering over dinner in a first-class railway compartment, and finally, from him, a dead-straight passionate declaration of love.

Sweetly, Bond doesn't have sex with anyone else in the film. Vesper is to break his heart, though, and the movie cleverly shows that all Bond's mannerisms and steely reserve grow from this prehistory of doomed romance.

It is all ridiculously enjoyable, because the smirking and the quips and the gadgets have been cut back - and the emotion and wholesome sado-masochism have been pumped up.

My only regret is that the classic Barry theme tune is saved for the closing credits. Is this attraction a good place to visit on a honeymoon?

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Fun atmosphere. We enjoy playing at Casino Royale, feels like a party. Love their players club, you get 20 back if you lose twenty.

Read more. Date of experience: March Helpful Share. Sanders, Kentucky contributions 40 helpful votes. I absolutely love Casino Royale. In the midst of all the hustle and bustle of the mega casinos, is Casino Royale.

It has always been an enjoyable place to place, and one of the few places on the strip that your money seems to last, to be able to play a little while.

Im Oktober '08 hat Sony Pictures Home Entertainment eine 2-Disc 'Deluxe Edition' von 'Casino Royale' auf Blu-ray Disc veröffentlicht. Dieses. zu diesem Review: Bei der in diesem Review besprochenen Blu-ray Disc handelt es sich um die 'Deluxe Edition' von 'Casino Royale'. “ XXS – Die Akte Casino Royale”. Bond Experte und Buchautor Danny Morgenstern präsentiert geballtes Fachwissen in neuem.

Dayo Ade as Infante. Urbano Barberini as Tomelli. Madame Wu as Tsai Chin. Charlie Levi Leroy as Gallardo. Lazar Ristovski as Kaminofsky.

Tom So as Fukutu. Veruschka von Lehndorff as Gräfin von Wallenstein. Daniel Andreas as Dealer. Christina Cole as Ocean Club Receptionist.

Jürgen Tarrach as Schultz. John Gold as Card Player. Jerry Inzerillo as Card Player. Diane Hartford as Card Player.

Jessica Renae Miller as Dealer. Paul Bhattacharjee as Hot Room Doctor. Simon Cox as Hot Room Technician. Rebecca Gethings as Hot Room Technician.

Peter Notley as M16 Technician. John Chancer as Police Commander. Pater Brooke as Airport Policeman. Jason Durran as Airport Policeman. Robert Jezek as Arresting Officer.

Robert G. Slade as Pilot. Felicite du Jeu as French News Reporter. Tobias Menzies as Villers, Villiers. Michael Offei as Obanno's Leutenant.

Makhoudia Diaw as Obanno's Liaison. Michael G. Wilson as Chief of Police. Vladimir Kulhavy as Croatian General.

Valentine Nonyela as Nambutu Embassy Official. Dusan Pelech as Bartender. Alessandra Ambrosio as Tennis Girl. Veronika Hladikova as Tennis Girl.

Olutunji Ebun-Cole as Cola Kid. Martin Ucik as Barman. Miroslav Simünek as Disapproving Man. Jaroslav Jankovsky as Hermitage Waiter.

New on Amazon Prime Video in September November 2, Full Review…. October 18, Full Review…. July 16, Rating: 4. November 20, Rating: B Full Review….

September 10, Full Review…. November 2, Rating: A Full Review…. View All Critic Reviews May 01, Rebooting a film franchise can often come across as an act of desperation: an admission that the characters or story have been taken as far as they can possibly go, and a cynical means of luring in a new generation on the pretence of giving them ownership over 'their version' of a property.

Perversely, the more successful a given reboot is, the easier it seemingly becomes to pull this same trick again the second that a particular instalment mildly underperforms.

It may seem hard to believe in an age of cinematic universes where knowledge of superhero continuity is a badge of honour - but then we remember that Spider-Man and Superman have both been rebooted twice in the space of a decade.

Die Another Day marked the Bond series' 40th anniversary in the most deeply disappointing way possible, serving up a glorified greatest hits compilation which played out like reheated leftovers.

Faced with its deserved critical kicking and Pierce Brosnan's subsequent departure, the guardians of the series must have felt that starting from scratch and going back was the only way forward.

Casino Royale is a worthy exception to the rule that reboots are pointless and underwhelming, delivering just the sort of reinvention that the franchise needed.

It may even be the best film in the entire series. Part of the secret behind the Bond series' longevity is that it has always adjusted its character and storylines to the culture and politics of a given period.

Sometimes it has done this so nakedly that the films in question date badly, whether it's Live and Let Die's attempts at aping Shaft, The Man with the Golden Gun cashing in on Enter the Dragon, or Moonraker trying and failing to be the next Star Wars.

Often Bond has been at his best when he acknowledges his mortality and the world changing around him, while retaining the character elements which made him so popular in the first place.

Goldeneye made a big deal about the Cold War ending, but it still felt like a story in which Bond had a rightful place. The spectre hanging over Casino Royale, and indeed all of the Daniel Craig era, is the Bourne series.

The first three films shifted the goalposts of what constituted a modern action-thriller, innovating with its gripping storylines, sharp camerawork and relatable yet remarkable protagonist.

Even Brosnan admitted that the series would have had to raise its game in the face of what The Bourne Identity did; watching that and Die Another Day now, it's hard to believe that they came from the same decade, let alone the same year.

Casino Royale manages to match The Bourne Supremacy for quality, borrowing some of its aesthetic touches particularly in the chase sequences while also capturing the intrigue of Ian Fleming's original novel.

Like Paul Greengrass, Martin Campbell understands the need to knit action and character scenes together to create a holistic, gripping package; the action feels like an integral and natural part of the drama, rather than interrupting it in order to show off the budget.

Campbell brings the same calm, steady and methodical touch that he brought to Goldeneye; having saved Bond from irrelevance once, he does it again in some style.

Skyfall so often gets praised for acknowledging Bond's past while still being modern and relevant, but Casino Royale manages to pull off this same trick, and arguably does it slightly better.

Where Skyfall consciously tips its hat to the older films through costumes, characters or props such as the iconic Aston Martin DB5 , Casino Royale is more subtle; all the classic elements are there, but they've been modernised and refined so that they make more sense in the real world.

It's still fitting for Bond to drive an Aston Martin, and it's a nice touch to see its distant predecessor roll by. But it wouldn't make sense for Bond's car to have many gadgets that he doesn't need, and having the car be wrecked to save Vesper makes complete sense.

Where Roger Moore or Brosnan's films glorified the gadgets, this restores some welcome credibility and keeps the hardware under wraps unless absolutely necessary.

Along these same lines, the screenplay takes all the best elements of Fleming's novel and transposes them into a contemporary setting. It still has all the glamour of the classic casino scenes from the Sean Connery era, but the playful banter and flirting has been replaced with high stakes, tense glances and much more serious consequences.

Le Chiffre's relationships with arms dealers and dodgy speculation on the stock market felt current for its day and still feels very fresh; great effort is expended to ground the character's motivations while maintaining an air of intrigue, mystery and threat.

The film takes itself seriously, but not too seriously; it wants to have fun, but it puts credibility above out-and-out entertainment, unlike many of Moore's entries in the canon.

Le Chiffre's characterisation is also an interesting departure from what the Bond villain archetype has become. Where the likes of Drax, Stromberg and Blofeld wanted to single-handedly destroy or take over the world, Le Chiffre is essentially a middle-man; he is to the Craig era what Kristatos was in For Your Eyes Only, but better written and with a more interesting, more murky motivation.

Like Bond, he is ultimately a pawn of bigger forces who struggles at times not to buckle under the pressure as the torture scene demonstrates ; by making him so small, he becomes more believable and more intimidating, even without the bleeding eye.

He may look like the lead singer of Franz Ferdinand in his haircut and dress sense, but Mads Mikkelson plays him brilliantly, bringing a cold, dead-eyed feel to the character which both intrigues and repulses an audience.

Creating convincing poker scenes in films is pretty difficult. The vast majority of efforts go for a highly stylised or choreographed approach, where audience expectations are pandered to through needless editing trickery; think of the final hand in The Cincinnati Kid, or the royal flush sequence in Maverick.

Casino Royale's poker scenes may be more stylised than those in, say, The Sting or Rounders, but they are still very well-executed with good pacing and a frisson of unpredictability.

What really makes them work, however, is the build-up in the script; there are little poker motifs dotted throughout, with comments about tells and misdirection.

Because the film makes such a big theme out of bluffing and people not being what they seem, the card games don't feel like isolated set-pieces, and the later developments with Mathis and Vesper feel credible and yet still surprising.

It isn't just that both characters ultimately don't make it past the final reel; the characters are both instrumental in the making of Bond, an affront and a challenge to his impulsive, playboy instincts and a safe refuge from the madness of his job and the people he has to kill.

Eva Green is every bit as gripping and electric on screen as Diana Rigg before her; Vesper goes toe-to-toe with Bond and we get genuine character development, making her betrayal and death all the more shocking and heartbreaking.

Craig's Bond is a changed man by the end of the film - it's just a pity that the resolution to his heartbreak in Quantum of Solace was as underwhelming and mishandled as the similar attempt in Diamonds Are Forever.

The heartbreak surrounding Vesper brings us onto another of Casino Royale's great successes: it hurts. Desmond Llewellyn's Q may have advised Bond that he should never let his enemies see him bleed, but the best Bond films have never been afraid of putting him through the mill, getting him into dangerous situations which can only be resolved at great cost - a cost often numbed by women and alcohol.

The fight scenes in Casino Royale feel brutal, just as they should do; it isn't interesting to have someone waltz through conflict as though it was nothing.

The torture scene and the defibrillator scene are great in isolation, but they are matched by Bond's emotional torment of losing Vesper.

For the first time since Timothy Dalton's era - or Goldeneye at a push - Bond's pain feels real and meaningful.

All of which brings us to Daniel Craig as Bond. While his subsequent films have been hit-and-miss, his performance here is more than enough to silence those who criticised his casting all those 'James Blonde' jokes sound all the more desperate now.

He takes the suffering and burnt-out approach that Dalton brought and fuses it with some of Connery's unabashed cool to create a truly modern and contemporary Bond.

He also has the confidence to eschew convention as much as he chooses to reflect or inhabit it; we get a build-up to a cliched sex scene, but then he's quickly on his toes and back to the plot.

Casino Royale is a great, gripping spy thriller and arguably the finest of all the James Bond films. While it is slightly too long and a little too candid with some of its product placement, it remains an extraordinary reinvention of a franchise which had long been in need of a boost.

Craig impresses in his first and finest performance as Bond, and Martin Campbell directs with great common sense and precision to create a majestic and immensely enjoyable film.

Whether looking at the newer films or the franchise as a whole, this has set a very high bar which has yet to be beaten.

Daniel M Super Reviewer. Jun 20, Daniel Craig's first turn in the tux. Just as many franchises have gone "The Dark Knight route" meaning they have turned stories darker and grittier, the James Bond franchise is now following suit.

Daniel Craig is the most fit and tough Bond we've had. He's not the best James Bond, but he's good. Script was remarkable and despite the point of the film being just a poker game, it was still filled with suspense and excitement.

Patrick W Super Reviewer. Mar 11, A new 00 agent for MI6, Bond is assigned with incapacitating a terrorist Mads Mikkelsen behind an attempted bombing of a plane.

This is a fun and stylish Bond film. Daniel Craig is a very focused Bond, not so easily distracted by the lure of women. He is also an inexperienced Bond, lacking proper judgement in certain situations.

It makes for a very relatable protagonist. Eva Green is also very strong as a British treasurer tasked with aiding Bond in the poker match.

Mads makes for an ok villain as well. The action in this movie is top-notch. After the opening credits featuring a solid Bond song , a chase scene draws attention immediately.

The stunt team in Casino Royale deserves a lot of props for some of the actions they had to pull off. Also, the music is very solid throughout; the classic Bond theme isn't heard until the very end, signifying Bond's character arc into the mysterious agent we're more familiar with.

There are some little things I didn't care for in CR though. During another chase scene, there is a knife struggle in the middle of a crowded room, and, somehow, nobody notices.

The movie feels long at 2 hours and 20 minutes, and that's thanks to the last 25 minutes or so. There's a twist towards the end that does nothing but serve as Bond's final transformation, and I feel like it could have been done in a way that didn't feel separate from the rest of the movie.

Overall, Casino Royale will please new and old Bond fans alike while serving as a solid action movie. Ben B Super Reviewer. Feb 07, Daniel Craig's debut as which he knocked out of the park.

A very grounded, smart, realistic James Bond film. Casino Royale is debatably for most fans the best Bond film and I can honestly view this film as a movie of its own to be honest.

Daniel Craig is the best bond since Sean Connery. Mr N Super Reviewer. See all Audience reviews. James Bond: I'm sorry.

That last hand Le Chiffre: You changed your shirt, Mr Bond. I hope our little game isn't causing you to perspire. James Bond: A little.

But I won't consider myself to be in trouble until I start weeping blood. James Bond: Don't worry your not my type. James Bond: Don't worry you're not my type.

Vesper Lynd: Smart? James Bond: Single. Casino Royale Film Review Arguably the definitive Bond, Daniel Craig's stunning debut remains a high point in both the franchise and his own series.

When Daniel Craig's Bond bulldozed his way onto our screens back in , he almost immediately established himself as the definitive interpretation of Ian Fleming's cold, brutal, near-alcoholic spy, taking us through an electric - and somewhat epic - first adventure which grounded the half-century-old character in a post-Bourne landscape.

However, viewed through the Spectre of the last instalment, it's easy to see why the long-running franchise has been comprehensively bested by the likes of Tom Cruise's Mission: Impossible series.

Thankfully - not withstanding some truly awful plot retro-fitting courtesy of that last chapter - Casino Royale can still be looked back upon as a near-perfect chapter in the franchise, a veritable all time high which Craig himself is still riding on, even 13 years and three soon to be four flawed sequels later.

Casino Royale perfectly established Craig as a modern generation Bond. It is an upgrade, even if it's not quite the upgrade that fans would have hoped for.

Casino Royale's 4K release doesn't exactly surprise on the extras front. Casino Royale can still be looked back upon as near-perfect, even three flawed sequels later.

The results are of varying quality, with Casino Royale itself displaying a nominal improvement on its Dolby Vision-enhanced 4K bow, but the lack of immersive Atmos or DTS:X audio likely leaving this hardly a selling point chapter in the set.

Nonetheless, it's easily the best of the films, and arguably one of the best Bond movies ever made, so perhaps picking it up is a no-brainer. Our Review Ethos Read about our review ethos and the meaning of our review badges.

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